
The studio identified Alvarez as a striking new filmmaking talent with right sensibilities for the project, as evidence by Alvarez’s 2013 remake of the horror classic Evil Dead and his original 2016 thriller Don’t Breathe. With the producers’ deep understanding of the material, Alvarez’s ambition to keep pushing the boundaries of genre movies, and the studio’s desire to continue working with a director who had become part of the studio’s family, it only seemed natural to bring Alvarez into the world of The Girl in the Spider’s Web.