
Back then, no one could have imagined how Blade Runner would go on to reverberate through modern culture, pioneering what became an entirely new genre: neo-noir cyberpunk. Today, Scott’s visionary masterpiece is heralded as one of the best and most important motion pictures of all time, but its impact has gone beyond filmdom, to television, music, art, fashion, and even university courses.
Now, after more than three decades, Columbia Pictures' Blade Runner 2049 returns us to the world that has enthralled generations of fans in a film that is at once a long-awaited follow-up and a much-anticipated standalone moviegoing experience.
(Watch two Blade Runner 2049 footage titled Beginning at http://youtu.be/889Mnym8EhA and Questions at http://youtu.be/tSHWfLmtMFI.)

“Aesthetically, Blade Runner was a revolution,” he continues, “blending two genres that, at first glance, don’t go together—science fiction and film noir. It was something never seen before, and it deeply influenced me. It was part of my film education even before I knew I would become a filmmaker.”

In the time since, however, it became apparent that Scott’s film had predicted a range of societal concerns that have grown ever-more prevalent. And with our planet now on the cusp of when Blade Runner was set, it seems more revelatory, and more relevant, than ever—foreshadowing issues of urban decay, climate change, genetic engineering, overpopulation, the divides of social and economic strata and more.

Opening in Philippine cinemas Friday, October 06, Blade Runner 2049 is distributed in the Philippines by Columbia Pictures, local office of Sony Pictures Releasing International.
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