
It’s a heist movie this time,” says director Wes Ball, who has helmed each of the movies in the trilogy. “It picks up six months after the last movie, where we started in the desert, and then we come into the world of WCKD, which is a city: The Last City.”

And just as “The Maze Runner” offered lush greens framed by the decaying concrete walls of the maze, and “Maze Runner: The Scorch Trials” gave us vast, inhospitable desert ruins, so “Maze Runner: The Death Cure” is set to its own aesthetic and color palette. “The first film, with the maze, was all cement and overgrowth,” observes Ball. “The second story was the sand and rust of the Scorch and this film is a world of glass and steel. I’d say it has elements of sci-fi and film noir - I loved the idea that each one of these movies has a distinct look and feel, but that they all fold into this same universe.”
“Maze Runner: The Death Cure” opens January 24, 2018 in Philippine cinemas from 20th Century Fox to be distributed by Warner Bros.
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