Perhaps nothing plays on an audience’s own phobias better than making them feel trapped in the kind of place they might frequent every day, all the while hunted by some unknown, unseen force. “It could happen to you, too,” or so the filmmakers seem to be saying while, one by one, the characters on screen face an untimely demise in a variety of horrific manners.
In New Line Cinema’s horror thriller “The Gallows,” that everyday locale is a high school auditorium. Moviegoers have all been there, no matter their hometown, and therefore can all put themselves in the characters’ place.