The lineup features Like Father, Like Son (2013) by Hirokazu Kore-eda, Dear Etranger (2017) by Yukiko Mishima, Close-Knit (2017) by Naoko Ogigami, Kinakausap ni Celso ang Diyos (2024) by Gilb Baldoza, and Ang Tatay Kong Nanay (1978) by Lino Brocka.
These films span across class, gender, and kinship—offering a spectrum of what it means to care, provide, and stay. Kore-eda’s exploration of fatherhood from both affluent and working-class perspectives finds resonance in Baldoza’s Filipino fathers, who may lack money but never intention. In Mishima’s Dear Etranger, the longing to be accepted as a stepfather is quiet and piercing. In Close-Knit and Ang Tatay Kong Nanay, it is a transgender woman and a gay man who step into the role of parent—not through biology, but through pure will and love.
