It's almost time for Abigail's bloody hunt to begin. Midnight screenings for heist-turned-horror “Abigail” available on April 17

Alisha Weir’s ballerina vampire loves a delicious bloodbath in “Abigail.”

Get ready to scream. 

Kidnapped ballerina and – unbeknownst to her captors – very hungry vampire Abigail is out for blood. Don’t miss this bloody feast when “Abigail” premieres in cinemas April 17. And if you’re not the type who scares easily, dare to catch “Abigail” at midnight on opening day. 

From Radio Silence – the directing team of Matt Bettinelli-Olpin and Tyler Gillett (“Scream” 2022, “Scream VI”) – “Abigail” begins with a high-stakes heist, a dangerous mission that, if all goes according to plan, could net six strangers a staggering $50 million. Recruited for the job by a mysterious fixer, the team comprises the driver, the sniper, the medic, the muscle, the hacker, and the thin man, aka head of ops. Their real identities are kept secret from each other as a kind of insurance – should one of them be caught, that person would be unable to implicate her or his co-conspirators. Together, they must infiltrate the well-appointed home of a reclusive kingpin who presides over a vast criminal empire. After sedating and abducting his pre-teen ballerina daughter, Abigail (played by Alisha Weir), the crew must safely transport the girl back to a remote mansion, then settle in to wait for the sun to rise and the cash to turn up. But once inside the isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl. 

Ready for a bloody dance? Meet Alisha Weir, who plays the young ballerina vampire out for gory vengeance in the terrifying horror movie “Abigail,” in cinemas April 17

Nicknaming the different personas of her character really helped Alisha Weir channel the innocent little girl / centuries-old vampire that is the center of the blood-drenched horror movie “Abigail.”

Calling the frightened, kidnapped child version of her character “Abby,” and the alpha predator “Abigail,” helped Weir approach the character as two entirely separate people. For scenes where she plays Abigail, she even altered her voice to sound “not so much like an innocent little kid, but more like a confident adult,” she shares. 

Weir plays the titular character in “Abigail,” a blood-thirsty gore-fest that begins with a high-stakes heist, a dangerous mission that, if all goes according to plan, could net six strangers a staggering $50 million. Recruited for the job by a mysterious fixer, the team comprises the driver, the sniper, the medic, the muscle, the hacker, and the thin man, aka head of ops. Their real identities are kept secret from each other as a kind of insurance – should one of them be caught, that person would be unable to implicate her or his co-conspirators. Together, they must infiltrate the well-appointed home of a reclusive kingpin who presides over a vast criminal empire. After sedating and abducting his pre-teen ballerina daughter, Abigail, they must safely transport the girl back to a remote mansion, then settle in to wait for the sun to rise and the cash to turn up. But once inside the isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl. 

Watch the trailer: https://youtu.be/JjIJLbt1KBI?si=DmakmDNbNp5o4GXG

Young ballerina vampire "Abigail" tiptoes with bloody mayhem in cinemas starting April 17

Alisha Weir and Kathryn Newton in “Abigail”

Kathryn Newton, who starred in “Lisa Frankenstein” and “Ant-Man and the Wasp: Quantumania,” is up against a young hungry ballerina vampire in “Abigail” with Alisha Weir (“Roald Dahl’s Matilda the Musical”) in the titular role for the latest horror hors d’oeuvre movie from Radio Silence, the makers of “Scream” (2022) and “Scream VI.” 

“Abigail” begins with a high-stakes heist, a dangerous mission that, if all goes according to plan, could net six strangers a staggering $50 million. Newton’s character, a hacker named Sammy, is recruited by a sinister fixer along with a ragtag group of strangers that includes a driver, sniper, medic, muscle and the thin man, aka head of ops. Their real identities are kept secret from each other as a kind of insurance – should one of them be caught, that person would be unable to implicate her or his co-conspirators. Together, they must infiltrate the well-appointed home of a reclusive kingpin who presides over a vast criminal empire. After sedating and abducting his pre-teen ballerina daughter, Abigail, they must safely transport the girl back to a remote mansion, then settle in to wait for the sun to rise and the cash to turn up.

She dances. She flies. She kills. Watch the terrifying trailer for horror movie “Abigail,” in cinemas April 17

Children can be monsters – literally.  

From Matt Bettinelli-Olpin and Tyler Gillett, the directing team behind the terrifying modern horror hits Ready or Not, 2022’s Scream and last year’s Scream VI – comes a brash, blood-thirsty new vision of the vampire flick.

Watch the trailer: https://fb.watch/pYsIpU1UJs/?mibextid=cr9u03

In Abigail, after a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.  

Meet the characters of “Lisa Frankenstein,” starring Kathryn Newton, Cole Sprouse and Liza Soberano, your pre-Valentine’s movie, in cinemas Feb. 7

Lisa Frankenstein director Zelda Williams says that her enthusiasm for the film was rooted in her deep admiration for Diablo Cody’s singular voice as a screenwriter, especially when it comes to the characters in her stories. 

“The thing I enjoy most about her writing is the personality infused into all of it,” says Williams, who had auditioned for Juno (also written by Cody, for which she won the Best Original Screenplay Academy Award) very early in her acting career. “It’s clear immediately who these characters are, whether they’re for you or not. That sort of strong flavor choice will always be my cup of tea.”

In Lisa Frankenstein, it’s 1989 and Lisa Swallows (Kathryn Newton), an awkward 17-year-old, is trying to adjust to a new school and a new life after her mother’s death and her father’s hasty remarriage. Despite the unwavering support offered by her plucky cheerleader step sister Taffy (Liza Soberano), Lisa only finds solace in the abandoned cemetery near her house, where she tends to the grave of a young man who died in 1837 – and whose corpse she unwittingly reanimates (Cole Sprouse). Feeling obligated to help the poor soul regain his humanity, Lisa embarks on a quest to breathe new life into her long-dead new companion. All she needs to succeed are some freshly harvested body parts and Taffy’s broken tanning bed.

Oscar(R)-winning screenwriter Diablo Cody on “Lisa Frankenstein,” a teen horror-comedy and coming-of-rage romance starring Kathryn Newton, Cole Sprouse and Liza Soberano

“I have always toyed with themes of transformation and reinvention,” says screenwriter Diablo Cody, who catapulted onto the Hollywood stage with 2007’s “Juno,” for which she won the Academy Award, BAFTA and Critics’ Choice Award for best original screenplay. 

“In everything I write, someone is going through a dramatic change, whether it’s becoming possessed by a demon or dealing with a new stage of life,” continues Cody, who is also known for penning acclaimed film “Young Adult,” starring Charlize Theron, and the Megan Fox-led cult-classic “Jennifer’s Body.” “The question I’m always asking is: are we the same person after a profound change? How many parts can we swap or replace before we’re a totally new entity? This movie is a pretty literal interpretation of that!”

Twisted Body-Swap Tale "Freaky" Gets First Trailer

A body swap that cuts deep. Watch the first trailer of Universal Pictures and Blumhouse’s new horror comedy Freaky starring Vince Vaughn & Kathryn Newton.

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YouTube: https://youtu.be/3_ylVf8Gge8

Prepare to get Freaky with a twisted take on the body-swap movie when a teenage girl switches bodies with a relentless serial killer.  

Seventeen-year-old Millie Kessler (Kathryn Newton, Blockers, HBO’s Big Little Lies) is just trying to survive the bloodthirsty halls of Blissfield High and the cruelty of the popular crowd. But when she becomes the newest target of The Butcher (Vince Vaughn), her town’s infamous serial killer, her senior year becomes the least of her worries.

"Blockers" Upends Double-Standard in Rite-of-Passage Comedy

For decades, beginning with the groundbreaking Porky’s and extending to modern classics from Superbad to American Pie, guys have watched on-screen versions of guys like them boldly and bawdily celebrate the first time they have sex.

It’s time the ladies have their shot to celebrate the story of their first time, in Universal Pictures' new comedy Blockers (in Philippine cinemas May 02).

With her directorial debut, director Kay Cannon (writer of the Pitch Perfect series) has created a timely coming-of-age comedy that takes one of the most relatable rites of passages and hilariously upends a long-held double standard. One of only a handful of women ever to direct an R-rated comedy for a big studio, Cannon shares a story about that one milestone none of us ever forget.