“The story of the Monuments Men is one that really very few people know,” says George Clooney, who returns to the director’s chair for the story of a small group of artists, art historians, architects, and museum curators who would lead the rescue of 1000 years of civilization during World War II in his new film, The Monuments Men. “Artists, art dealers, architects – these were men that were far beyond the age that they were going to be drafted into a war or volunteer. But they took on this adventure, because they had this belief that culture can be destroyed. If they’d failed, it could have meant the loss of six million pieces of art. They weren’t going to let that happen – and the truth of the matter is, they pulled it off.”
Part of the drama of the film is that all of the Monuments Men are so unsuited to serving as soldiers in wartime. “Wars are fought by 18-year-olds,” says Clooney. “Once you get to the John Goodmans and the Bob Balabans and the George Clooneys, you know – these guys are not getting drafted.” Producing and writing partner Grant Heslov adds: “They did it because it was clear that they were the only people who could do it.”
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