That’s Baby (Ansel Elgort), an innocent-looking getaway driver who gets hardened criminals from point A to point B, with daredevil flair and a personal soundtrack running through his head. That’s because he’s got his escape route plotted to the beat of specific tunes that go from his well-curated iPod straight to his ears, and which translate into expertly timed hairpin turns, gear shifts and evasive maneuvers that leave his passengers on the ride of their lives.
Which makes Columbia Pictures' Baby Driver, with its mixture of mph and music, the newest explosion of genre-crossing excitement from writer-director Edgar Wright, an action thriller unlike any other.
Baby works for Doc (Kevin Spacey), a kingpin on a lucky streak of brash daytime bank heists, thanks in part to his faith in Baby’s auto acumen. Doc’s go-to professionals include former Wall Street type turned outlaw Buddy (Jon Hamm), Buddy’s young, lawless and scandalous partner in crime Darling (Eiza Gonzalez), and the impulsive, gun-slinging Bats (Jamie Foxx), whose suspicions about Baby – from his attitude to his aptitude – begin to create a dangerous rift in an until-then smooth-running operation.

Full of reversals, rewinds, fast forwards and heart-stopping skips, and inspired by the types of crime-and-chase movies that have thrilled moviegoers since Steve McQueen in a revved-up Mustang changed car pursuits forever, BABY DRIVER is a game-changing, lane-changing, hard-charging blast only Wright could have dreamed up.

Baby Driver stars Ansel Elgort (The Fault in Our Stars), Kevin Spacey (“House of Cards”), Lily James (Cinderella), Jon Bernthal (“The Walking Dead”), Eiza Gonzalez (“From Dusk til Dawn”), with Jon Hamm (“Mad Men”) and Jamie Foxx (Sleepless).
Opening in Philippine cinemas in August 2, 2017, Baby Driver is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.
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