
Rarely has a tale of family dysfunction entered the modern consciousness as shockingly or as completely as that of the Torrances, the father, mother and son at the center of Stephen King’s third novel, The Shining.
Originally published in 1977, the book went on to sell more than a million copies. Inspired by the author’s personal struggles, along with a fateful night King spent in room 217 of the Stanley Hotel in Colorado, the story of Jack, Wendy and Danny Torrance is one of King’s most personal works—terrifying not because of the monsters that live alongside us, but for the real-life demons that dwell within all of us.
Thirty-six years later, King published his follow-up novel, Doctor Sleep, the continuation of the story of Dan Torrance. Although both are studies in horror and suspense, The Shining takes readers on a journey through the darkness of addiction, while Doctor Sleep brings them back to the light through recovery, self-sacrifice and redemption.
Filmmaker Mike Flanagan has been a self-proclaimed fan(atic) of King’s work since fifth grade, when he picked up his first book by the author. Flanagan says, “I was way too young, but boy did I start reading them. Those books frightened me like I’ve never been scared before and completely changed the way that I look at the world. That started this experience that I’ve had with so much of King’s writing: as a very scared kid, reading his work taught me how to be brave in short bursts. It became an exercise in character. I became a constant reader and struggled my way, somehow, into a career where people pay me to make movies, which is still crazy to me.”

“Doctor Sleep brought back a lot of the themes from the novel of The Shining that didn’t make it into the film,” Flanagan continues, “specifically the focus on addiction to the degree that King took it, along with the notes of redemption. My initial impression was, ‘I love this story.’ I loved the three characters, Dan, Abra and Rose the Hat. I loved the contradictions between The Shining and Doctor Sleep: addiction and recovery; encroaching ice and fire. He took so many wonderful elements from the first book and let them grow into something entirely new.
Flanagan knew that there was one vital step imperative to the livelihood of the project, the go-ahead that mattered most: Stephen King. The horror master was initially skeptical. But once the filmmaker was able to fully present his audacious take on the project, blending the published word with the cinematic legacy—in essence, giving King the resolution he felt was missing from Kubrick’s vision—the author enthusiastically signed on.

In Philippine cinemas Thursday, November 07, “Doctor Sleep” is distributed in the Philippines by Warner Bros. Pictures, a WarnerMedia Company. Use the hashtag #DoctorSleepMovie
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