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Cruise plays Nick Morton, a soldier of fortune who plunders conflict sites for timeless artifacts…ones he sells to the highest bidder. When Nick and his No. 2 are attacked by insurgents in the Middle East, in the ensuing battle, they accidentally unearth a tomb of an Egyptian pharaoh they come to know as Ahmanet. Nick is not simply the one responsible for setting Ahmanet free, he’s fulfilling an ordained destiny he couldn’t have possibly imagined. Now, he is the only one who can stop her ascension to a global ruler who will enslave humanity.
The Mummy is the first chapter in Universal Pictures’ new series of films called Dark Universe which will revive the studio’s classic monster characters for a new generation.
Cruise offers that he grew up watching monster movies, and that not only inspired him to become an entertainer, but it is what drove him to this particular labor of love. “I love The Wolf Man, Dracula and The Mummy,” he says. “It was terrifying as a child seeing these films. This movie is genuinely terrifying as well, yet it has the kind of scope and elegance of the original ones.”
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Cruise and director Alex Kurtzman, who previously collaborated on Mission: Impossible III, were very much on the same page when it came to their vision for The Mummy. The director lauds that what makes his star connect so well with moviegoers is that we’re all on the same cinematic journey together: “We both feel a tremendous inheritance and a sense of responsibility. Tom thinks how the audience thinks, and he brings everything to life in a unique and an exciting way.”
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As they worked together, Cruise and his producers created an experience that was as scary and exotic as it was bold and daring. The Mummy for a new generation is as audacious as it is unexpected. While people will recognize core elements from Universal’s monster universe—this film celebrates classic mythologies—The Mummy’s characters are grappling with all of their lives upended as Ahmanet enters today’s world.
The producers welcomed Cruise’s involvement at every step of the process in making The Mummy a reinvention, one that drew its key elements from the cinematic canon. “In preproduction, Tom would gather us together to watch films such as The Shining and Seven,” recounts producer Sean Daniel. “He drove everyone to think creatively throughout all phases of pre-production, shooting and post.”
The Mummy is distributed by United International Pictures through Columbia Pictures.
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